Funky Little Spacegirl
[Link: Funky Little Spacegirl (YouTube clip)]
[Link: Funky Little Spacegirl Official Website (broadcast-quality clip)]
[Link: Funky Little Spacegirl (YouTube clip)]
[Link: Funky Little Spacegirl Official Website (broadcast-quality clip)]
[Link]
It's difficult for me to explain why I love The Shaggs as I do. I know their music is horrible, but it's just so delightfully childlike and sweetly good natured that it's completely impossible for me to dislike them. Plus, my daughter loved this song when she was a little girl, so I have fond memories of singing its goofy lyrics along with her.
Many thanks to the Sound Scavengers mailing list for bringing this little lost gem to my attention.
[Link: My Pal Foot Foot]
[Link: Shaggs Official Website]
Back in 1997, Russian artists, Vitaly Komar and Alex Melamid, along with composer David Soldier, created 2 pieces of music, based on poll results indicating what listeners most and least wanted to hear. These songs were released on a CD called, The People's Choice Music.
The Most Unwanted Song should be liked, statistically speaking, by fewer than 200 people in the world, and was described by the composer thusly:
"The most unwanted orchestra was determined to be large, and features the accordion and bagpipe (which tie at 13% as the most unwanted instrument), banjo, flute, tuba, harp, organ, synthesizer (the only instrument that appears in both the most wanted and most unwanted ensembles). An operatic soprano raps and sings atonal music, advertising jingles, political slogans, and “elevator” music, and a children's choir sings jingles and holiday songs. The most unwanted subjects for lyrics are cowboys and holidays, and the most unwanted listening circumstances are involuntary exposure to commericals and elevator music."
It's counterpart, The Most Wanted Song, is described by Soldier as follows:
"The most favored ensemble...comprises a moderately sized group (three to ten instruments) consisting of guitar, piano, saxophone, bass, drums, violin, cello, synthesizer, with low male and female vocals singing in rock/r&b style. The favorite lyrics narrate a love story, and the favorite listening circumstance is at home. The only feature in lyric subjects that occurs in both most wanted and unwanted categories is “intellectual stimulation.” Most participants desire music of moderate duration (approximately 5 minutes), moderate pitch range, moderate tempo, and moderate to loud volume, and display a profound dislike of the alternatives. If the survey provides an accurate analysis of these factors for the population, and assuming that the preference for each factor follows a Gaussian (i.e. bell-curve) distribution, the combination of these qualities, even to the point of sensory overload and stylistic discohesion, will result in a musical work that will be unavoidably and uncontrollably “liked” by 72 plus or minus 12% (standard deviation; Kolmogorov-Smirnov statistic) of listeners."
Somewhat surprisingly, I found the "bad" song to be far more interesting and listenable, which probably says a lot more about me than it does the song.
You can listen to both at the following links and decide for yourself:
[Link: The Most Unwanted Music]
[Link: The Most Wanted Music]
Check out this clip of a bimbo box in action on the streets of Cologne, Germany, and here's a nicely photographed article of a custom-built bimbo box and jukebox from the Netherlands.
[Link: Swinging Monkeys in Cologne]
[Link: Custom Bimbo Machine and Jukebox]
No doubt hundreds, if not thousands, of teenage boys used this video to develop their arm muscles...well, one arm, anyway.
[Link: Linnea Quigley's Horror Workout][via Nerdcore]
Enjoy.
[Link: A Fretful Menagerie]
Today's entry comes to you courtesy of Paul Revere and the Raiders. Often derided as popstar buffoons attired in silly Revolutionary War outfits, the Raiders actually kicked ass on several levels, and this tune, The Great Airplane Strike, proves it by dropping a super-heavy slab of fuzzed-out guitar stomp right on our pointy, little heads.
There was a reason why the Sex Pistols covered these guys.
[Link: The Great Airplane Strike]
I am a monster.
My girlfriend is a monster.
Everyone we know is a monster, so let's do a monster-specific dance.
I'm being chased by a werewolf.
I have had a spell cast on me.
Where did all my blood go?
The Ghoul then goes on to add a new topic to his repertoire: Let's sing a song about hilariously inaccurate television psychics.
Criswell Predicts tells the story behind Mae West's stirring hoochie-koochie paean to her psychic friend, the Amazing Criswell, who, as you may recall, predicted that Mae would not only become President of the United States in 1960, but would also accompany him to the Moon (along with Liberace).
It's a great song, and a terrific reintroduction for the Ghoul. You have been missed, you rotten old creep. Welcome back!
[Link: Criswell Predicts]
[Link: The Ghost Goes Gear]
Here's a couple of clips from the film that feature the SDG and a very young Winwood (in his pajamas) doin' their Sixties Groove Thang, along with a fine blue-eyed soul raveup from another band featured in the film, The St. Louis Union:
[Link: Nobody Loves You When You're Down and Out]
[Link: When I Come Home]
[Link: English Tea]